Loosely based on Silvia Federici’s term “gossiping”, we will celebrate and question the power of intergenerational mentoring relationships between women*: What practical knowledge can only be passed on through direct exchange and contact because it has never been written down – or because it relates to us individually? And vice versa: What can role models learn from those who emulate them? And where does such a relationship, which is always characterized by a power relationship, reach its limits?
The dancer and performer Gal Fefferman and her former dance teacher, the dancer Allison Brown, have joined forces as gossips. In a cross-generational dance dialog based on biographical and choreographic material, the two explore their relationship, reflect on their journey together so far and capture it in a forward-looking snapshot of dance and narrative in all its contradictions.
Choreographer Gal Fefferman, dramaturge Julia Blando and production manager Anno Bolender have been working as a collective in Frankfurt’s independent scene under the name gossips since 2021. They develop interdisciplinary processes that deal with the experiences of women*, especially those who appear on stage in their performances. Their video project “HUNGRY” (2022) can be viewed in full on the website www.gossips-collective.com. “Superheroes gehen nicht auf’s Klo” is the collective’s last stage work, which premiered in May 2023 at studioNAXOS in Frankfurt, and is currently being presented in schools in rural areas in Hesse as part of FLUX’s guest performance program. gossips supplements its team with associated artists on a project-by-project basis. An important part of our plays is always “gossiping with…”, coming together after a play, after a rehearsal, as like-minded people, as accomplices: We cook for our collaborators and our audience and invite (as an essential part of our understanding of theater) to a feminist exchange.
Gal Fefferman – concept/choreography/dance (www.galfefferman.com)
Julia Blando – concept/dramaturgy/text (www.juliahagendramat.org)
Anno Bolender – concept/production management (https://diskursiveformation.jimdofree.com/)
With
Allison Brown – choreography/dance
Maylin Habig – Costumes
Graphics: @tembelone
Supported by the Kulturamt Frankfurt am Main
Allison Brown, a Canadian born in Morocco, has been active in the field of dance for over 30 years. She is a teacher, rehearsal director, dancer, and choreographer, currently based in Frankfurt am Main.
She studied ballet at the School of American Ballet (1982–1986) and was subsequently invited to join the New York City Ballet (NYCB), where she danced from 1986 to 1991. During her time at NYCB, she performed in a wide range of works by George Balanchine, Jerome Robbins, Peter Martins, Laura Dean, Eliot Feld, among others. Following her growing interest in modern and contemporary dance, she joined Twyla Tharp and Dancers (1991–1993), Amanda Miller’s Pretty Ugly Dance Company, and Saburo Teshigawara’s Karas Company (1994–1996). After eight years of persistent auditioning and practicing resilience and humility, William Forsythe welcomed Allison into Ballett Frankfurt, where she danced from 1996 to 2004.
Since 2000, Allison has been teaching and leading workshops. At the invitation of William Forsythe, she has staged his works such as Duo and Workwithinwork for dance companies around the world.
From 2011 to 2019, she was a lecturer at the University of Music and Performing Arts Frankfurt (HfMDK), and from 2019 to 2023, she held a professorship in ballet and contemporary dance at the Center for Contemporary Dance (ZZT) at the University of Music and Dance Cologne (HfMT).
Allison Brown has been working as a choreographer since 1998. Her choreographic work includes creations for Pretty Ugly/Ballett Freiburg, Künstlerhaus Mousonturm (Frankfurt), Transitions Dance Company Laban (London), Gärtnerplatztheater (Munich), as well as pieces for the HfMDK (Frankfurt) and ZZT at the HfMT (Cologne). She is also actively committed to advocating for the rights and working conditions of dancers.
Currently there are no upcoming performances of this Program.