Mirror
Residency Alexander Whitley
Can artificial intelligence (AI) co-create a choreographic process? This is the question explored by British choreographer Alexander Whitley in Mirror. In this work, Whitley experiments with the animation technique known as “motion matching,” which is commonly used in video game development. This AI-powered system dynamically selects and blends pre-recorded motion-capture data to generate fluid, lifelike character movements. Instead of conventional video game actions, however, Whitley trains the system
with dance movements. In a reciprocal process, dancers from Hessisches Staatsballett and virtual dancers interact within specific zones of choreographed action, jointly creating a unique choreographic work. At the heart of this process is a feedback loop that fosters a mutual exchange between virtual and physical performers.
Choreography: Alexander Whitley
Dramaturgy: Lucas Herrmann
Darmstadt World Premiere 15.5.2026
Kleines Haus
Alexander Whitley
Alexander Whitley is an award-winning choreographer whose groundbreaking work with digital technology has placed him at the forefront of innovation in contemporary dance. His multidisciplinary practice, focused on the use of motion tracking and interactive technology, spans stage performance, installation, film, and immersive platforms.
Since founding the Alexander Whitley Dance Company in 2014, his productions—created in collaboration with studios such as Marshmallow Laser Feast, The Guardian VR, and HTC Vive Arts—have been presented in theatres across the UK and internationally, and featured at events including the London Film Festival, SXSW, Mediale, and Romaeuropa.
Alexander has been affiliated with some of the UK’s most prestigious dance institutions, including Sadler’s Wells Theatre, the Royal Ballet, and Rambert, and has choreographed works for many of the country’s leading companies. He is a founding member of the New Movement Collective and a lecturer on the Master’s programme in Design for Performance and Interaction at the Bartlett School of Architecture, UCL.
Trained at the Royal Ballet School, Alexander began his career with Birmingham Royal Ballet before transitioning into contemporary dance. He gained extensive experience performing with companies such as Rambert, Michael Clark Company, Sydney Dance Company, and Wayne McGregor | Random Dance. During this time, he was twice nominated for Outstanding Performance at the Critics’ Circle National Dance Awards. His choreographic work has earned him nominations for the Arts Foundation Fellowship (2012), the Sky Arts Southbank Awards (2014), and the Critics’ Circle Awards (2015).
Alexander has built a strong network of collaborators across artistic disciplines, working with filmmakers, designers, digital artists, and composers to create innovative and far-reaching works. His practice expands the boundaries of dance and deepens the appreciation of movement across the many media where it resonates.
