{"id":3650,"date":"2023-09-25T12:24:15","date_gmt":"2023-09-25T10:24:15","guid":{"rendered":"https:\/\/www.hessisches-staatsballett.de\/?p=3650"},"modified":"2023-09-25T12:32:59","modified_gmt":"2023-09-25T10:32:59","slug":"tanzfestival-rhein-main","status":"publish","type":"post","link":"https:\/\/www.hessisches-staatsballett.de\/en\/aktuelles\/tanzfestival-rhein-main\/","title":{"rendered":"Tanzfestival Rhein Main"},"content":{"rendered":"
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Ticket sales for the Rhein Main Dance Festival have begun!<\/strong><\/p>\n

Advance ticket sales have now begun for this year’s edition of the festival at all theaters.<\/p>\n

Tanzfestival Rhein Main\u00a0<\/a><\/p>\n

This year’s Spotlight Artist: Oona Doherty<\/strong><\/p>\n

The Northern Irish dancer and choreographer Oona Doherty is regarded as one of the most individual artists of the present time. Her works portray the atmosphere of life in her home town of Belfast \u2013 between harsh realism and moving tenderness. Constructs of class and gender, the beauty and raw nature of everyday working class lives and traces of the Northern Ireland troubles that remain omnipresent are all evident in her works without ever resorting to clich\u00e9s: amid the challenges of a world shaken by crises, Doherty consistently searches for hope and resistance \u2013 with and through dance as a source of radical change.<\/p>\n

As our Spotlight Artist, Oona Doherty occupies a central role in this year\u2019s Tanzfestival Rhein-Main. Three pieces offer insights into the work of this remarkable dance artist, combining both strength and vulnerability.<\/p>\n

Learn more<\/a><\/p>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n\t

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THE LONG RUN <\/h3>\t\t\t\t\t<\/figcaption>\n<\/figure>\n\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
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Broken Chord<\/h3>\t\t\t\t\t<\/figcaption>\n<\/figure>\n\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
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Vanishing Place<\/h3>\t\t\t\t\t<\/figcaption>\n<\/figure>\n\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
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Navy Blue<\/h3>\t\t\t\t\t<\/figcaption>\n<\/figure>\n\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
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HOME<\/h3>\t\t\t\t\t<\/figcaption>\n<\/figure>\n\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
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Hard to be soft – A Belfast Prayer<\/h3>\t\t\t\t\t<\/figcaption>\n<\/figure>\n\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
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Somatic Tratata – rhythm, rapture and romance<\/h3>\t\t\t\t\t<\/figcaption>\n<\/figure>\n\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
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WELCOME<\/h3>\t\t\t\t\t<\/figcaption>\n<\/figure>\n\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
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Correction<\/h3>\t\t\t\t\t<\/figcaption>\n<\/figure>\n\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
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When the Bleeding Stops<\/h3>\t\t\t\t\t<\/figcaption>\n<\/figure>\n\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
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CORE<\/h3>\t\t\t\t\t<\/figcaption>\n<\/figure>\n\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
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LAST WORK<\/h3>\t\t\t\t\t<\/figcaption>\n<\/figure>\n\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t
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Gaga\/People Workshop<\/h3>\t\t\t\t\t<\/figcaption>\n<\/figure>\n\t\t<\/a>\n\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":5,"featured_media":3454,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3650","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-unkategorisiert"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.hessisches-staatsballett.de\/en\/wp-json\/wp\/v2\/posts\/3650","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.hessisches-staatsballett.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.hessisches-staatsballett.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.hessisches-staatsballett.de\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.hessisches-staatsballett.de\/en\/wp-json\/wp\/v2\/comments?post=3650"}],"version-history":[{"count":6,"href":"https:\/\/www.hessisches-staatsballett.de\/en\/wp-json\/wp\/v2\/posts\/3650\/revisions"}],"predecessor-version":[{"id":3659,"href":"https:\/\/www.hessisches-staatsballett.de\/en\/wp-json\/wp\/v2\/posts\/3650\/revisions\/3659"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.hessisches-staatsballett.de\/en\/wp-json\/wp\/v2\/media\/3454"}],"wp:attachment":[{"href":"https:\/\/www.hessisches-staatsballett.de\/en\/wp-json\/wp\/v2\/media?parent=3650"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.hessisches-staatsballett.de\/en\/wp-json\/wp\/v2\/categories?post=3650"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.hessisches-staatsballett.de\/en\/wp-json\/wp\/v2\/tags?post=3650"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}