{"id":12545,"date":"2026-05-07T18:54:38","date_gmt":"2026-05-07T16:54:38","guid":{"rendered":"https:\/\/www.hessisches-staatsballett.de\/aktuelles\/weapons-of-tender-friction-wtf\/"},"modified":"2026-05-11T11:18:25","modified_gmt":"2026-05-11T09:18:25","slug":"weapons-of-tender-friction-wtf","status":"publish","type":"post","link":"https:\/\/www.hessisches-staatsballett.de\/en\/aktuelles\/weapons-of-tender-friction-wtf\/","title":{"rendered":"Weapons of Tender Friction (WTF)"},"content":{"rendered":"<div class=\"ce ce-onecol       \">\n\t<div class=\"container\">\n\t\t<div class=\"row\">\n\t\t\t<div class=\"col\">\n\t\t\t\t<div class=\"relative basis-auto flex-col -mb-(--composer-overlap-px) pb-(--composer-overlap-px) [--composer-overlap-px:28px] grow flex\">\n<div class=\"flex flex-col text-sm\">\n<section class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [&amp;:has([data-writing-block])&gt;*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-WEB:50200a99-629b-489b-97ac-95c775b899e8-0\" data-testid=\"conversation-turn-2\" data-scroll-anchor=\"false\" data-turn=\"assistant\">\n<div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\">\n<div class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\">\n<div class=\"flex max-w-full flex-col gap-4 grow\">\n<div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+&amp;]:mt-1\" dir=\"auto\" tabindex=\"0\" data-message-author-role=\"assistant\" data-message-id=\"da7ccb9d-c143-49fa-9e6b-c9f41817c915\" data-turn-start-message=\"true\" data-message-model-slug=\"gpt-5-5\">\n<div class=\"flex w-full flex-col gap-1 empty:hidden\">\n<div class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\">\n<p data-start=\"38\" data-end=\"346\">As the Hessische Staatsballett, we are accompanying the artistic development of <strong><em data-start=\"77\" data-end=\"105\">Weapons of Tender Friction<\/em><\/strong> by <strong><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Carlos D\u00edaz<\/span><\/span><\/strong>, which was created as part of our pop-up residency at the <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Staatstheater Darmstadt<\/span><\/span>. At the same time, we aim to give visibility to a choreographic approach that engages deeply with physicality, power, and intimacy.<\/p>\n<p data-start=\"38\" data-end=\"346\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-12531\" src=\"https:\/\/www.hessisches-staatsballett.de\/wp-content\/uploads\/2026\/05\/DSC2575-600x400.jpeg\" alt=\"\" width=\"600\" height=\"400\" srcset=\"https:\/\/www.hessisches-staatsballett.de\/wp-content\/uploads\/2026\/05\/DSC2575-600x400.jpeg 600w, https:\/\/www.hessisches-staatsballett.de\/wp-content\/uploads\/2026\/05\/DSC2575-1024x683.jpeg 1024w, https:\/\/www.hessisches-staatsballett.de\/wp-content\/uploads\/2026\/05\/DSC2575-768x512.jpeg 768w, https:\/\/www.hessisches-staatsballett.de\/wp-content\/uploads\/2026\/05\/DSC2575-1536x1024.jpeg 1536w, https:\/\/www.hessisches-staatsballett.de\/wp-content\/uploads\/2026\/05\/DSC2575-2048x1365.jpeg 2048w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p data-start=\"0\" data-end=\"230\">Two bodies enter a space charged with desire. They circle one another, touch, hold on, and resist. What unfolds is not simply a duet, but a negotiation of intimacy in which attraction and aggression remain inseparably intertwined.<\/p>\n<p data-start=\"232\" data-end=\"621\">In <em data-start=\"235\" data-end=\"263\">Weapons of Tender Friction<\/em>, choreographer <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Carlos D\u00edaz<\/span><\/span> explores the erotic encounter as a site of power. Drawing on contemporary dance and partner dance forms, the performers engage in a physical dialogue of invitation, control, and surrender. Gestures shift rapidly: support becomes pressure, closeness turns into confrontation, pleasure borders on violence.<\/p>\n<p data-start=\"623\" data-end=\"884\">The choreography exposes how desire is structured through roles \u2014 who leads, who yields, who takes, who allows. These dynamics are not fixed but are constantly renegotiated, revealing the instability that lies beneath familiar images of masculinity and control.<\/p>\n<p data-start=\"886\" data-end=\"1185\">Within a minimalist stage environment, bodies, costumes, and objects become extensions of this tension. As the performers move between exposure and protection, the piece traces how intimacy can become a battlefield \u2014 a place where tenderness carries force and violence appears in the form of desire.<\/p>\n<p data-start=\"1187\" data-end=\"1548\" data-is-last-node=\"\" data-is-only-node=\"\">For the development of the piece, D\u00edaz also received the Hessian State Ballet\u2019s Pop-up Residency at the <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Staatstheater Darmstadt<\/span><\/span> in 2025. The concept of the work was also selected for the Choreographic Workshop at the <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Staatstheater Darmstadt<\/span><\/span> as part of the <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Tanz Festival RheinMain<\/span><\/span> and was presented there in autumn 2025.<\/p>\n<p data-start=\"1069\" data-end=\"1423\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-12533\" src=\"https:\/\/www.hessisches-staatsballett.de\/wp-content\/uploads\/2026\/05\/DSC3520-600x400.jpeg\" alt=\"\" width=\"600\" height=\"400\" srcset=\"https:\/\/www.hessisches-staatsballett.de\/wp-content\/uploads\/2026\/05\/DSC3520-600x400.jpeg 600w, https:\/\/www.hessisches-staatsballett.de\/wp-content\/uploads\/2026\/05\/DSC3520-1024x683.jpeg 1024w, https:\/\/www.hessisches-staatsballett.de\/wp-content\/uploads\/2026\/05\/DSC3520-768x512.jpeg 768w, https:\/\/www.hessisches-staatsballett.de\/wp-content\/uploads\/2026\/05\/DSC3520-1536x1024.jpeg 1536w, https:\/\/www.hessisches-staatsballett.de\/wp-content\/uploads\/2026\/05\/DSC3520-2048x1365.jpeg 2048w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p data-start=\"0\" data-end=\"310\"><strong>Choreography &amp; Direction: <\/strong><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Carlos D\u00edaz<\/span><\/span><br data-start=\"63\" data-end=\"66\" \/><strong>Performers:<\/strong> <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Francisco Chavez<\/span><\/span>, <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Carlos D\u00edaz<\/span><\/span>, <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Juan Cruz Luque<\/span><\/span><br data-start=\"193\" data-end=\"196\" \/><strong>Dramaturgy:<\/strong> <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Frederic De Carlo<\/span><\/span><br data-start=\"245\" data-end=\"248\" \/><strong>Production Assistance: <\/strong><span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Frank Burkhardt<\/span><\/span><\/p>\n<p data-start=\"312\" data-end=\"384\"><strong>Thursday, 18 June 2026<\/strong><br data-start=\"334\" data-end=\"337\" \/><strong>Friday, 19 June 2026<\/strong><br data-start=\"357\" data-end=\"360\" \/><strong>Saturday, 20 June 2026<\/strong><\/p>\n<p data-start=\"386\" data-end=\"432\"><strong>at the <span class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"><span class=\"whitespace-normal\">Gallustheater in Frankfurt am Main<\/span><\/span><\/strong><\/p>\n<p data-start=\"434\" data-end=\"465\" data-is-last-node=\"\" data-is-only-node=\"\"><strong>Duration: 60 minutes \u2013 Ages 16+<\/strong><\/p>\n<p data-start=\"1425\" data-end=\"1623\">\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n<\/div>\n<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":9,"featured_media":12536,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-12545","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-unkategorisiert"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.hessisches-staatsballett.de\/en\/wp-json\/wp\/v2\/posts\/12545","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.hessisches-staatsballett.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.hessisches-staatsballett.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.hessisches-staatsballett.de\/en\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.hessisches-staatsballett.de\/en\/wp-json\/wp\/v2\/comments?post=12545"}],"version-history":[{"count":1,"href":"https:\/\/www.hessisches-staatsballett.de\/en\/wp-json\/wp\/v2\/posts\/12545\/revisions"}],"predecessor-version":[{"id":12552,"href":"https:\/\/www.hessisches-staatsballett.de\/en\/wp-json\/wp\/v2\/posts\/12545\/revisions\/12552"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.hessisches-staatsballett.de\/en\/wp-json\/wp\/v2\/media\/12536"}],"wp:attachment":[{"href":"https:\/\/www.hessisches-staatsballett.de\/en\/wp-json\/wp\/v2\/media?parent=12545"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.hessisches-staatsballett.de\/en\/wp-json\/wp\/v2\/categories?post=12545"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.hessisches-staatsballett.de\/en\/wp-json\/wp\/v2\/tags?post=12545"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}