{"id":10320,"date":"2025-08-28T20:20:37","date_gmt":"2025-08-28T18:20:37","guid":{"rendered":"https:\/\/www.hessisches-staatsballett.de\/stuecke\/gnawa-umbo-agora\/"},"modified":"2025-10-05T22:06:37","modified_gmt":"2025-10-05T20:06:37","slug":"gnawa-umbo-agora","status":"publish","type":"nb_production","link":"https:\/\/www.hessisches-staatsballett.de\/en\/stuecke\/gnawa-umbo-agora\/","title":{"rendered":"Gnawa \/ Umb\u00f3 \/ Agora"},"content":{"rendered":"
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One evening, three perspectives on time, the body, and collective experience: With Gnawa<\/em>, Umb\u00f3<\/em>, and Agora<\/em>, the S\u00e3o Paulo Dance Company under the direction of In\u00eas Bog\u00e9a presents its artistic range and the powerful energy of its dancers.<\/p>\n

In Gnawa<\/em> (2009, choreography: Nacho Duato), earth, water, fire, and air merge into a choreography that celebrates gravity and grounding. With Umb\u00f3<\/em> (2021, choreography: Leilane Teles) follows a work about inspiration and desire \u2014 about how role models resonate within the body and generate new movements. Finally, Agora<\/em> (2019, choreography: Cassi Abranches) explores the theme of time: in rhythms, memories, temperatures, with pulsating movements that combine Afro-Brazilian percussion with rock and vocals.<\/p>\n

A journey through three choreographic signatures that immerse the audience in different worlds of sound and movement. The S\u00e3o Paulo Dance Company demonstrates how tradition and the present, Brazilian impulses and international perspectives, merge within a vibrant body of dance \u2014 poetic, energetic, and captivating.<\/p>\n

Duration: approx. 66 minutes<\/p>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n\t\n\t\t

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Trailer <\/h4>\n\t<\/div>\n\t
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You are currently viewing a placeholder content from YouTube<\/strong>. To access the actual content, click the button below. Please note that doing so will share data with third-party providers.<\/p>\n

More Information<\/a> <\/div>\n

Unblock content<\/a> Accept required service and unblock content<\/a> <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n<\/div><\/div><\/div>
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Credits<\/h4>\n\t<\/div>\n\t
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Gnawa (2009)<\/strong>
Choreography: Nacho Duato
Music: Hassan Hakmoun, Adam Rudolph, Juan Alberto Arteche, Javier Paxari\u00f1o, Rabih Abou-Khalil, Velez, Kusur & Sarkissian
Lighting: Nicol\u00e1s Fischtel
Costumes: Luis Devota & Modesto Lomba
Restaging: Hilde Koch & Tony Fabre (1964\u20132013)
Organization and original production: Carlos Iturrioz, Mediart Producciones SL (Spain)<\/p>\n

Umb\u00f3 (2021)<\/strong>
Choreography: Leilane Teles
Music: Muloloki<\/em> and Para a Poetisa \u00cdntima<\/em> by Tigan\u00e1 Santana; Nzambi Kakala Ye Bikamazu<\/em> and Mama Kalunga<\/em> by Tigan\u00e1 Santana, sung by Virg\u00ednia Rodrigues
Costumes: Teresa Abreu
Lighting: Gabriele Souza<\/p>\n

Agora (2019)<\/strong>
Choreography: Cassi Abranches
Music: Sebastian Pirac\u00e9s
Lighting: Gabriel Pederneiras
Costumes: Jana\u00edna Castro<\/p>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

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