{"id":6017,"date":"2024-09-17T16:04:14","date_gmt":"2024-09-17T14:04:14","guid":{"rendered":"https:\/\/www.hessisches-staatsballett.de\/?post_type=nb_production&p=6017"},"modified":"2024-11-10T15:06:22","modified_gmt":"2024-11-10T14:06:22","slug":"tanz-im-kunsthaus","status":"publish","type":"nb_production","link":"https:\/\/www.hessisches-staatsballett.de\/de\/stuecke\/tanz-im-kunsthaus\/","title":{"rendered":"Tanz im Kunsthaus & Choreografische Werkstatt"},"content":{"rendered":"
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Erster Teil der Veranstaltung<\/strong><\/h4>\n

Tanz im Kunsthaus<\/h1>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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Am Montag, den 11. November um 19:00 Uhr erobern zun\u00e4chst die T\u00e4nzer:innen des Hessischen Staatstheaters einen ungew\u00f6hnlichen Raum: Im KunstHaus Wiesbaden (Schulberg 10) lassen sie sich f\u00fcr eine einmalige Performance inspirieren von den Werken des Malers und Objektk\u00fcnstlers Peter Roehr. Das Kunsthaus widmet dem fr\u00fchen Vertreter der Minimal Art derzeit eine interdisziplin\u00e4re Hommage, bei der sich internationale Klangk\u00fcnstler in Installationen mit Roehrs Werk auseinandersetzen. Das Staatsballett bringt eine weitere Perspektive auf den K\u00fcnstler, der auch als Vertreter der Pop-Art-Fotografie und Vorreiter der Konzeptkunst gilt.<\/p>\n

Im Anschluss werden die Zuschauer:innen vom Hessischen Staatsballett zur Wartburg geleitet.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Der Eintritt f\u00fcr den ersten Teil der Veranstaltung ist frei. Wer im Anschluss zur Choreografischen Werkstatt m\u00f6chte, ben\u00f6tigt ein Ticket, welches auch spontan vor Ort erh\u00e4ltlich ist.<\/div>\n
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Foto: Patrick B\u00e4uml<\/p>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n\t\t

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Die Ausstellung rund um Peter Roehr<\/h4>\n\t<\/div>\n\t
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Im Anschluss werden die Zuschauer:innen vom Hessischen Staatsballett zur Wartburg geleitet.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Der Eintritt f\u00fcr den ersten Teil der Veranstaltung ist frei. Wer im Anschluss zur Choreografischen Werkstatt m\u00f6chte, ben\u00f6tigt ein Ticket, welches auch spontan vor Ort erh\u00e4ltlich ist.<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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Zweiter Teil der Veranstaltung<\/strong><\/h4>\n

Choreo\u00adgrafische Werk\u00adstatt<\/h1>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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In der Choreografischen Werkstatt pr\u00e4sentieren drei Choreograf:innen Ausz\u00fcge aus ihren aktuellen Arbeiten. Anschlie\u00dfend laden sie zum Austausch \u00fcber ihre Arbeitsweisen und das Gesehene ein.<\/p>\n

Im Folgenden finden Sie Informationen zu den einzelnen Performances und K\u00fcnstler:innen:<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

Inspiriert von den Werken des deutschen Malers und Objektk\u00fcnstlers Peter Roehr verwandeln die T\u00e4nzer:innen des Hessischen Staatsballetts das Kunsthaus Wiesbaden in eine B\u00fchne und kreieren ein einzigartiges Tanzereignis.<\/p>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n\t\t

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Lena Kunz: OCTOPUSSYS CONQUER EARTH. Eine performative Lesung<\/h4>\n\t<\/div>\n\t
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Octopussys conquer earth. Eine Bewegung der Sp\u00fcr-K\u00f6rper in Revolte gegen die kalte, toxische Welt des Patriarchats und Kapitalismus.<\/p>\n

Wir sp\u00fcren sp\u00fcren sp\u00fcren unabl\u00e4ssig, verstehst du? Sp\u00fcr-K\u00f6rper: Das ist, was wir sind.
\nDas ist unsere Super Power!
\nAlice-im-Wunderland-like winden wir uns aus den Fenstern, st\u00fcrmen aus den T\u00fcren auf die Stra\u00dfen und machen das Private zum Politischen. Vereint vernetzt verschwistert werden wir antikapitalistische Magie beschw\u00f6ren und das Patriachart und den Kapitalismus endg\u00fcltig, nachhaltig und vollkommen zerst\u00f6ren!<\/p>\n

W\u00e4hrenddessen: Octopussy-Sein w\u00e4re Utopia, dann k\u00f6nnte ich die vielen losen Enden auffangen, anh\u00f6ren, aufdr\u00f6seln. suche new beginnings with elastic endings. finde neue Unsicherheiten und haufenweise Fragen ohne Antworten.
\nVerwirrung, auch Zerstreuung und manchmal Angst,
\nverstehst du?
\nalles zerflattert<\/i>.
\nPause.
\nL:<\/i> Ich m\u00f6chte mich ausruhen.
\nStimme in L\u00b4 s Kopf:<\/i> Ausruhen von was?<\/p>\n

OCTOPUSSYS CONQUER EARTH ist eine interdisziplin\u00e4re Textsammlung, die im Kontext einer k\u00fcnstlerischen Recherche zu K\u00f6rpergeschichten queerer & weiblich gelesener Menschen am Entstehen ist.<\/p>\n

von & mit Lena Kunz<\/p>\n

gef\u00f6rdert durch die Recherchef\u00f6rderung des Ministerium f\u00fcr Bildung und Kultur Saarland<\/p>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n<\/div><\/div><\/div>

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Zu Lena Kunz<\/h4>\n\t<\/div>\n\t
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Lena Kunz ist Performancek\u00fcnstlerin aus Wiesbaden und interessiert sich f\u00fcr R\u00e4ume, in denen sich Performance, Poetik und Politik begegnen.
\nAktuell forscht sie zu K\u00f6rper- und Familiengeschichten queerer und weiblich gelesener Menschen und deren Verwebungen mit den sozialen, kulturellen, historischen, \u00f6kologischen Orten, an denen wir aufwachsen, leben, arbeiten, lieben und uns bewegen.<\/p>\n

www.lenakunz-tanz.com<\/a><\/p>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n<\/div><\/div><\/div>

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Minka-Marie Hei\u00df & Michelle Munoz: Auf Gedeih und Verderb<\/h4>\n\t<\/div>\n\t
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Auf Gedeih und Vererb – make or break deals with the entanglement of humans in the endless debate about how to deal with nature in times of economic profiteering and climate change, and the obviously arduous effort to find environmentally compatible, socially just and economically viable global concepts.<\/p>\n

With the onset of climate chaos, additional poverty is to be expected on top of that. It is especially the countries of the southern hemisphere, and in them above all the poor population groups, that will feel the bitter consequences of global climate change. An ambiguous time seems to be ahead, man is equipped with knowledge but incapable of action. On the one hand, society has awakened to the realisation that the impending climate chaos requires a reversal. On the other hand, however, many things continue to go on as usual.
\nThe piece does not show a possible way out of this situation, but rather draws the connection, the commonalities and dependencies between the species as well as the real contrasts, lack of awareness, humility and respect.
\nMusically, the Boler\u00f3 by Maurice Ravel is used symbolically with its endless loops. Melody, harmony and rhythm remain unchanged throughout the piece. The bol\u00e9ro rhythm opens the piece and is played throughout, while in the course of the piece more and more instruments are added in different timbres, so that the overall effect is one of a long drawn-out, extremely large loudness. The longer the piece lasts, the more one is gripped by the feeling that it could continue in the same pattern for all eternity. But shortly before the end, an abrupt turn shakes you up – the music takes a new path and ends with the loudest part of the piece.<\/p>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n<\/div><\/div><\/div>

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Zu Minka-Marie Hei\u00df<\/h4>\n\t<\/div>\n\t
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Minka-Marie Hei\u00df was born in Frankfurt a.M. and studied mathematics, sports science at the University of Darmstadt and contemporary dance at Iwanson International in Munich. She was a dancer at the National Theatre Darmstadt, danced with the Slovenian choreographer Iztok Kovac and worked internationally as a freelancer with renowned choreographers, including choreographic projects with Rui Horta in France and Portugal. She was twice nominated as a dancer and choreographer for the International Solo Dance Festival in Stuttgart and and from 2005 to 2015 she directed her own company ‚hausgemacht‘ with numerous works that toured internationally. Since 2000 she has been Professor of Contemporary Dance at Iwanson International and in 2008 received the Isadora Award from the Iwanson-Sixt Foundation for her artistic work. As a choreographer, Minka-Marie has worked with Reinhild Hoffmann at Tanzhaus Z\u00fcrich as part of SIWIC, was part of ‚risk to fail‘ in Reutlingen with Ballett Pforzheim and James Sutherland, was choreographer in residence at the Choreographisches Zentrum Heidelberg and regularly creates pieces for the strado danza company in Ulm (Domenico Strazzeri) and for the Zubkov Foundation in Poland. Minka-Marie teaches internationally at companies such as Norrdans, G\u00e4rtnerplatztheater M\u00fcnchen, Landestheater Linz, Theater Heidelberg, Theater St. Gallen etc. and at festivals such as Wave of Dance in Poland, Recoil in Stockholm. She was a lecturer at the Mannheim University of Music and Performing Arts and assistant to Nanine Linning at Heidelberg Theatre. Her choreography ‚le (mas)sacre du printemps‘ was shown at the Superbloom Festival in Munich’s Olympiapark in 2022, at the Festspielhaus Baden Baden, ‚Romeo and Juliet‘ in Ulm’s M\u00fcnsterplatz and in Gdansk, Poland. In 2023 she was awarded ‚make or break‘ at the solocoreografico Jugend in Frankfurt for her interpretation of Maria Giovanna Godino. In 2024 she presented her work „summus finis“ – Carmina Burana at the Gasteig in Munich, in Ulm and in Gdansk, Poland. And \u201emake or break\u201c on Solodance Festival Ankara.<\/div>\n<\/div>\n<\/div>\n<\/div>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n<\/div><\/div><\/div>
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Zu Michelle Munoz<\/h4>\n\t<\/div>\n\t
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PERFORMANCES
\nTedX Talks at T.U.M
\nChoreography by Johannes H\u00e4rtl
\nThe Nimble Project- Touring Company
\nChoreographies by: Emese Nagy and Alessandro Sousa Pereira
\nFestival Junge Tanz – Carl-Orff-Saal at Gasteig, Munich
\nChoreographies by: Minka-Marie Heiss, Alessandro Sousa Pereir,Emese Nagy, Stella Zannou, Cristina D\u2019Alberto, Hannes H\u00e4rtl
\nHier ist Jetzt in connection with Schwere Reiter
\n\u201cPADAM PADAM\u201d by Anima Henn Medea
\n\u201cFemme Fetale\u201d by Natalia Kozbial
\nFrankfurter Dom St. Bartholom\u00e4us.
\nVerantwort, ich\u201d by Pedro Dias
\nB\u00fcrgerhaus Unterf\u00f6hring, M\u00fcnchen.
\n\u201cWe are trying\u201d by Johannes H\u00e4rtl
\nTanz Digital, Berlin
\nPromo video shoot for their platform
\nNative English Speaker
\nB1 German
\nRindermarkt Marienplatz, M\u00fcnchen
\nProject Sound track f\u00fcr die Stadt- S.O.S Space of Silence 3 hours improvisation.<\/p>\n

WORKSHOPS
\nTANZWERKSTATT EUROPA 2023: Kenan Dinkelmann \u201eFlow Acrobatics\u201c and Sandra Mar\u00edn Garcia \u201eCrystal Pite\u0301s Tools & Vocabulary\u201c
\nIDW Budapest 2023: Tamara Gvozdenovic, Pieter Desmet, Csaba Varga, Attila R\u00f3nai, Jenna Jalonen
\nHier ist Jetzt in connection with Schwere Reiter
\nSecond Hand News by Michelle S. Munoz and Andr\u00e9 Luiz Pereida
\nSkirts in fur, unwinding at Schwere Reiter
\nPiece by Anima Henn Medea<\/p>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n<\/div><\/div><\/div>

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[EDGE] Dance Project: Echoes through time<\/h4>\n\t<\/div>\n\t
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In the new creation \u201cEchoes through time\u201d we merge neo-classical and contemporary styles to explore life’s journey through a timeline of evocative pieces. The performance begins with the freedom and innocence of childhood, progressing to the teenage years, where the dancers embody the search for identity and the pressure of societal expectations. As the narrative shifts into adulthood, the choreography illustrates the tension between aspiration
\nand responsibility, highlighting the struggle to balance personal dreams with the demands of daily life.<\/p>\n

The performance delves into the emotions associated with aging, capturing the bittersweet nostalgia of knowing our time is limited. Ultimately, it shifts toward the acceptance of growing older and the peace that comes with it. Central to the performance is the philosophy that youth is sustained by an unbounded capacity to dream, create, and imagine; as long as these persist, age becomes less a numeric measure and more a state of mind.<\/p>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n\n\n<\/div><\/div><\/div>

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Zu den K\u00fcnstler:innen<\/h4>\n\t<\/div>\n\t
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We are a multicultural group of dancers based in Mainz united by a shared passion for movement and expression.
\nOur values of authenticity, self-expression, and inclusiveness serve as the foundation of our work, to continually create dance and extend the reach of our craft to the community around us.
\nOur style ranges from neo-classical to contemporary and we constantly seek new ways to push our boundaries. With our performances, we hope to connect with the audience and make our art-form more culturally accessible.<\/p>\n\t\t\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":0,"template":"","event-type":[75],"event-location-city":[],"event-location-venue":[],"event-tags":[68],"class_list":["post-6017","nb_production","type-nb_production","status-publish","hentry","event-type-tanzfestival","event-tags-tanzfestival-rhein-main"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.hessisches-staatsballett.de\/de\/wp-json\/wp\/v2\/nb_production\/6017","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.hessisches-staatsballett.de\/de\/wp-json\/wp\/v2\/nb_production"}],"about":[{"href":"https:\/\/www.hessisches-staatsballett.de\/de\/wp-json\/wp\/v2\/types\/nb_production"}],"wp:attachment":[{"href":"https:\/\/www.hessisches-staatsballett.de\/de\/wp-json\/wp\/v2\/media?parent=6017"}],"wp:term":[{"taxonomy":"event-type","embeddable":true,"href":"https:\/\/www.hessisches-staatsballett.de\/de\/wp-json\/wp\/v2\/event-type?post=6017"},{"taxonomy":"event-location-city","embeddable":true,"href":"https:\/\/www.hessisches-staatsballett.de\/de\/wp-json\/wp\/v2\/event-location-city?post=6017"},{"taxonomy":"event-location-venue","embeddable":true,"href":"https:\/\/www.hessisches-staatsballett.de\/de\/wp-json\/wp\/v2\/event-location-venue?post=6017"},{"taxonomy":"event-tags","embeddable":true,"href":"https:\/\/www.hessisches-staatsballett.de\/de\/wp-json\/wp\/v2\/event-tags?post=6017"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}